de 7 a 9 de setembro de 2009

 

Promoção

NUCOM/CECM

Organização 

 

 


Suporte

Apoio

 

  


 
 

Table of Contents

Technical Papers

Multidimensional microtiming in Samba music
Luiz Naveda, Fabien Gouyon, Carlos Guedes, Marc Leman

Interacting with the 3D Reactive Widgets for Musical Performance
Florent Berthaut , Myriam Desainte-Catherine, Martin Hachet

Two Approaches for HRTF Interpolation
Gustavo H. M. de Souza, Marcelo Queiroz

Creating Evolutionary Soundscapes with Gestural Data
José Fornari, Mariana Shellard, Jônatas Manzolli

Real-time Uses of Low Level Sound Descriptors as Event Detection Functions Using the Max/MSP Zsa.Descriptors Library
Mikhail Malt, Emmanuel Jourdan

Music Creation by Novices should be both Prototypical and Cooperative - Lessons Learned from CODES
Evandro Miletto, Marcelo Pimenta, François Bouchet , Jean-Paul Sansonnet, Damian Keller

Wind instruments synthesis toolbox for generation of music audio signals with labeled partials
Martín Rocamora, Ernesto López, Luis Jure

Descoberta Automática de Conhecimento em Interpretações Musicais: Microandamento e Microdinâmica
Fúlvio Figueirôa Silvestre , Raphael Freire de O. Holanda , Geber Lisboa Ramalho

Pitch-class composition in the pd environment
Oscar Pablo Di Liscia, Pablo Cetta

Derivation of SOM-G Granular Synthesis Instruments from Audio Signals by Atomic Decomposition
Paulo R. G. da Silva



Music Papers

e-Motion: Our Reality - 3D Motion Capture and Sonorization Via Two Cameras
Bradford Blackburn

I/VOID/O: real-time sound synthesis and video processing in an interactive installation
Daniel Luís Barreiro, Sandro Canavezzi de Abreu, André Carlos Ponce de Leon Ferreira de Carvalho

Ubiquitous Music: Concepts and Metaphors
Marcelo S. Pimenta, Luciano V. Flores, Ariadna Capasso, Patricia Tinajero, Damián Keller

A Música no Cinema Mudo e o Instrumento Musical Digital
Pedro Patrício

O Mapa de Hénon como Gerador de Repositórios Composicionais
Liduino José Pitombeira de Oliveira, Hildegard Paulino Barbosa



Posters

Self-Regulatory Feedback Systems as Sound Installations
Paula Matthusen

Um sistema de recomendação de músicas brasileiras
Maiara B. Monteiro, Natan R. Machado, Paulo A. L. Nogueira, Thales A. Campos, Fernando W. Cruz, Edilson Ferneda

Considerations in the use of Computer Technology in Contemporary Improvisation, Are Computers Musical Instruments?
Cesar Villavicencio

Mapeamento Sinestésico: do Gesto ao Objeto Sonoro
José Fornari, Mariana Shellard, Jônatas Manzolli

Um External de Aspereza para Puredata e MAX/MSP
Alexandre Torres Porres, André Salim Pires

Towards a Genetic L-System Counterpoint Tool
Bruno F. Lourenço , José C. L. Ralha, Márcio C. P. Brandão

"Process and methodology leading to the acquisition and analysis of Event Related Potentials with basic sound stimuli"
Bruno Giesteira, João Travassos, Diamantino Freitas

Goiaba: a software to process musical contours
Marcos S. Sampaio, Pedro Kröger

Functional Harmonic Analysis and Computational Musicology in Rameau
Alexandre Tachard Passos, Marcos Sampaio, Pedro Kröger, Givaldo de Cidra



Author index

Abreu, S.

Barbosa, H.

Barreiro, D. L.

Berthaut, F.

Blackburn, B.

Bouchet, F.

Capasso, A.

Cetta, P.

Cidra, G.

Coelho de Souza, R.

Cruz, F.

da Silva, P. G.

Di Liscia, O. P.

Ferneda, E.

Flores, L. V.

Fornari, J.

Freitas, D.

Giesteira, B.

Gouyon, F.

Guedes, C.

Holanda, R.

Jourdan, E.

Jure, L.

Keller, D.

Kroger, P.

López, E. C.

Leman, M.

Lourenço, B.

M. de Sousa, G.

Malt, M.

Manzolli, J.

Matthusen, P.

Miletto, E.

Naveda, L.

Oliveira, L. J.

Passos, A. T.

Patrício, P.

Pimenta, M. S.

Pires, A. S.

Ponce de Leon F de Carvalho, A.

Porres, A. T.

Queiroz, M. G.

Ramalho, G.

Rocamora, M.

Sampaio, M. S.

Sansonnet, J.

Shellard, M.

Silvestre, F. F.

Tinajero, P.

Travassos, J.

Villavicencio, C.