|
Table of Contents
Technical
Papers
Multidimensional
microtiming in Samba music Luiz
Naveda, Fabien Gouyon, Carlos Guedes, Marc Leman
Interacting
with the 3D Reactive Widgets for Musical Performance Florent
Berthaut , Myriam Desainte-Catherine, Martin Hachet
Two
Approaches for HRTF Interpolation Gustavo
H. M. de Souza, Marcelo Queiroz
Creating
Evolutionary Soundscapes with Gestural Data José
Fornari, Mariana Shellard, Jônatas Manzolli
Real-time
Uses of Low Level Sound Descriptors as
Event Detection Functions Using the Max/MSP Zsa.Descriptors Library
Mikhail Malt, Emmanuel Jourdan
Music
Creation by Novices should be both Prototypical and Cooperative
- Lessons Learned from CODES Evandro
Miletto, Marcelo Pimenta, François Bouchet , Jean-Paul
Sansonnet, Damian Keller
Wind
instruments synthesis toolbox for
generation of music audio signals with labeled partials Martín
Rocamora, Ernesto López, Luis Jure
Descoberta
Automática de Conhecimento em Interpretações
Musicais: Microandamento e Microdinâmica Fúlvio
Figueirôa Silvestre , Raphael Freire de O. Holanda , Geber
Lisboa Ramalho
Pitch-class
composition in the pd environment Oscar
Pablo Di Liscia, Pablo Cetta
Derivation
of SOM-G Granular Synthesis Instruments from Audio Signals by Atomic
Decomposition Paulo
R. G. da Silva
Music
Papers
e-Motion:
Our Reality - 3D Motion Capture and Sonorization Via Two Cameras
Bradford
Blackburn
I/VOID/O:
real-time sound synthesis and video processing in an interactive
installation Daniel
Luís Barreiro, Sandro Canavezzi de Abreu, André Carlos
Ponce de Leon Ferreira de Carvalho
Ubiquitous
Music: Concepts and Metaphors Marcelo
S. Pimenta, Luciano V. Flores, Ariadna Capasso, Patricia Tinajero,
Damián Keller
A
Música no Cinema Mudo e o Instrumento Musical Digital Pedro
Patrício
O
Mapa de Hénon como Gerador de Repositórios
Composicionais Liduino
José Pitombeira de Oliveira, Hildegard Paulino Barbosa
Posters
Self-Regulatory
Feedback Systems as Sound Installations Paula
Matthusen
Um
sistema de recomendação de músicas brasileiras
Maiara B.
Monteiro, Natan R. Machado, Paulo A. L. Nogueira, Thales A. Campos,
Fernando W. Cruz, Edilson Ferneda
Considerations
in the use of Computer Technology in Contemporary
Improvisation, Are Computers Musical Instruments? Cesar
Villavicencio
Mapeamento
Sinestésico: do Gesto ao Objeto Sonoro José
Fornari, Mariana Shellard, Jônatas Manzolli
Um
External
de Aspereza para Puredata e MAX/MSP Alexandre
Torres Porres, André Salim Pires
Towards
a Genetic L-System Counterpoint Tool Bruno
F. Lourenço , José C. L. Ralha, Márcio C. P.
Brandão
"Process
and methodology leading to the acquisition and analysis of Event
Related Potentials with basic sound stimuli" Bruno
Giesteira, João Travassos, Diamantino Freitas
Goiaba:
a software to process musical contours Marcos
S. Sampaio, Pedro Kröger
Functional
Harmonic Analysis and Computational Musicology in
Rameau Alexandre Tachard Passos,
Marcos Sampaio, Pedro Kröger, Givaldo de Cidra
Author
index
Abreu,
S.
Barbosa,
H.
Barreiro,
D. L.
Berthaut,
F.
Blackburn,
B.
Bouchet,
F.
Capasso,
A.
Cetta,
P.
Cidra,
G.
Coelho
de Souza, R.
Cruz,
F.
da
Silva, P. G.
Di
Liscia, O. P.
Ferneda,
E.
Flores,
L. V.
Fornari,
J.
Freitas,
D.
Giesteira,
B.
Gouyon,
F.
Guedes,
C.
Holanda,
R.
Jourdan,
E.
Jure,
L.
Keller,
D.
Kroger,
P.
López,
E. C.
Leman,
M.
Lourenço,
B.
M. de
Sousa, G.
Malt,
M.
Manzolli,
J.
Matthusen,
P.
Miletto,
E.
Naveda,
L.
Oliveira,
L. J.
Passos,
A. T.
Patrício,
P.
Pimenta,
M. S.
Pires,
A. S.
Ponce
de Leon F de Carvalho, A.
Porres,
A. T.
Queiroz,
M. G.
Ramalho,
G.
Rocamora,
M.
Sampaio,
M. S.
Sansonnet,
J.
Shellard,
M.
Silvestre,
F. F.
Tinajero,
P.
Travassos,
J.
Villavicencio,
C.
|