13th SBCM. 31 august - 3 september - Vitória, ES. Brazil
News
Proceedings SBCM 2011 (.zip ~2MB)
Program updated
The program of the 13th SBCM is now updated and available in the program page. Please, check it out to know the dates, times and rooms of the sessions.
Accepted papers
The list of accepted papers is available in the accepted papers page. Please, check the list and remember that in order to get the paper published, it is required that at least one author register for the symposium.
Registration - "deadline extended"
The SBCM has extended the deadline registration at a discounted rate until July 31st. Please, check more information in the registration page.
Extended deadline
The SBCM anounces the extended deadline. Please, check the new dates available in the CFP/Dates page.
New Paradigms for Computer Music
Welcome to the SBCM 2011! The SBCM is a biannual event with international recognition in the field of computer music organized by the Special Committee on Computer Music of the Brazilian Computer Society (SBC).
This 13th edition will be held in the state capital of Espirito Santo, in the beautiful souttheastern Brazilian coast, and is dedicated to the relentless and continuous renewal in paradigms to make music with computers, extending the vision towards new computationally relevant portable devices and personal "gadgets", as hand-helds, cell phones and multimedia players, bringing their essences and their trends.
Technical Topics of Interest
- Acoustics, Diffusion, Sonorization
- Artificial Intelligence
- Artificial Life and Evolutionary Music Systems
- Audio Hardware design
- Computer-Aided Music Analysis
- Computer-Aided Musical Education
- Computer-Aided Musicology
- Digital Sound Processing
- Digital Music Systems and Services
- Distributed Music
- Internet and Web Applications
- Movement and Gesture
- Multimedia Systems and Applications
- Music Emotion and Communication
- Music Formats, Data Structures and Representation
- Music Information Retrieval
- Music Management
- Music Notation, Printing, and Optical Recognition
- Music Perception and Cognition
- Psychoacoustics and Cognitive Modeling
- Quality of Service for Audio
- Real-time Interactive Systems
- Software Systems and Languages for Composition
- Sound Analysis and Synthesis
