II Simpósio Brasileiro de Computação e Música (II SBCM)

II Brazilian Symposium on Computer Music

Held in Canela, RS, from July 30 to August 1, 1995

Symposium on the Web:

• http://www-crca.ucsd.edu/~bobw/symposium.html - Cached

Program Committee, Chairman:

• Eduardo Reck Miranda
  Federal University of Rio Grande do Sul, Brazil
  emirandainfufrgsbr

Papers and Tutorials Committee:

• Aluizio Arcela, University of Brasília, Brazil
• Carlos Cerana, LIPM, Argentina
• Conrado Silva, University of Brasília, Brazil
• Geber Ramalho, University of Paris VI, France
• Jamary Oliveira, Federal University of Bahia, Brazil

Music Composition Committee

• Celso Loureiro Chaves, Federal University of Rio Grande do Sul, Brazil
• Francisco Kropfl, LIPM, Argentina
• José Augusto Mannis, University of Campinas, Brazil
• Maurício Loureiro, Federal University of Minas Gerais, Brazil
• Robert Willey, University of California, USA

Keynotes:

• Fifteen Years of Computer-Assisted Composition
  
  Stephen Travis Pope
  Computer Music Journal, editor, USA
  stpCNMATBerkeleyedu
• Musical Pattern Definition in Common Music
  
  Dr. Heinrich Konrad Taube
  Zentrum fuer Kunst und Medientechnologie, Germany
  
• A Survey on Subsymbolic Paradigms in Music Research
  
  Dr. Marc Leman
  University of Ghent, Belgium
  Marc.Lemanrugacbe
• Computer Audible Design: a New Approach to Musical Form
  
  Trevor Wishart
  Composer's Desktop Project, UK
  
• Non-linear Systems Meet Computer Music in Composition and Performance
  
  Dr. Chris Chafe
  CCRMA - Stanford University, USA
  

Tutorials:

• Introduction to Algorithmic Composition
  
  Heinrich Konrad Taube
  Zentrum fuer Kunst und Medientechnologie, Germany
  
• SOMANDO SONS
  
  Aluizio Arcela and co-workers
  University of Brasília, Brazil
  

Results (selected papers):

Research Papers:

• Musical Score Recognition of "Don Cuco El Guapo" Pianist Robot
  
  A. Pedroza, H. Vargas, D. Vera, and R. Fournier
  Universidad Autónoma de Puebla, Mexico
  
• MWSCCS: A Stochastic Concurrent Music Language
  
  Brian J. Ross
  Brock University, Canada
  brosssandbankscoscbrockuca
• An Optimized Method for Storage, Transmission and Display of Digital Audio Data
  
  Carlos Augusto Paiva da Silva Martins, Ruggero Andrea Ruschioni, and Sérgio Takeo Kofuji
  University of São Paulo, Brazil
  capsmlsiuspbr, rogerlsiuspbr, and kofujilsiuspbr
• Music without body: composition, computers and instrumental practice
  
  Carlos Cerana and Gabriel Persico
  Musical Production and Research Laboratory (LIPM), Argentina and Conservatorio Nacional, Argentina
  rqceranaacribaeduar
• AbCMus: Uma abordagem para construção musical interativa
  
  Carlos Gustavo M. Guerra
  Federal University of Santa Catarina, Brazil
  cgguerracedufscbr and coclcggibmufscbr
• One Tool, Two Programs and Several Ideas for Composition with Spectral Modelling Synthesis
  
  Celso Aguiar
  Stanford University, USA
  aguiarccrmastanfordedu
• Theoretical outline of a hybrid musical system
  
  Damián Keller and Conrado Silva
  University of Brasília, Brazil
  d3121966 and conradoguaranycpdunbbr
• Composing with Chaos: applications of a new science for music
  
  David Clark Little
  Sweelinck Conservatory Amsterdam, Netherlands
  
• A computer-aided object-oriented analysis
  
  Didier Guigue
  Federal University of Paraíba, Brazil
  didierbrufpbbitnet
• Chaosynth: Um sistema que utiliza um autômato Celular para sintetizar partículas sônicas
  
  Eduardo Reck Miranda
  Federal University of Rio Grande do Sul, Brazil
  mirandamusicedacuk
• SINAPSIS: A self-generating system of musical discourses
  
  Eleazar Garzón
  National University of Córdoba, Argentina
  
• SETMUS: Uma ferramenta Computacional para o Ensino da Música
  
  Eloi Fernando Fritsch and Rosa Maria Viccari
  Federal University of Rio Grande do Sul, Brazil
  fritschinfufrgsbr and rosainfufrgsbr
• AREM2: a composition tool
  
  Francisco Kröpfl and Miguel Calzón
  Musical Production and Research Laboratory (LIPM), Argentina
  fkmorfofiloubaar and mcalzoncneaeduar
• Um Modelo Inteligente para Classificação Harmônica Tonal
  
  Fábio Ghinatti Beckenkamp and Paulo Martins Engel
  Federal University of Rio Grande do Sul, Brazil
  
• PadMaster: an improvisation environment for real time performance
  
  Fernando Lopez-Lezcano
  Stanford University, USA
  nandoccrmastanfordedu
• Categorial Grammar and Harmonic Analysis
  
  Flávio S. Corrêa da Silva and Fábio Kon
  University of São Paulo, Brazil
  fcsimeuspbr and konimeuspbr
• Do som do tempo ao tempo do som
  
  Flo Menezes
  Studio PANaroma, Brazil
  fmenezesbra000canal-viponspbr
• Laboratorio de Música Electroacústica del Departamento de Música de la Universidad Nacional de Córdoba
  
  Martin Alejandro Fumarola
  maralefufamafuncoredu and maralefoturingfisuncoredu
• Images from the Aperiodic Time
  
  J. J. García Escudero
  University of Oviedo, Spain
  
• Digital Waveguide Modeling of Air-Driven Reed Generators for the Synthesis of Brass and Woodwind Instrument Sounds
  
  Gary P. Scavone
  Stanford University, USA
  garyccrmastanfordedu
• Processamento de Sinais Acústicos Utilizando Transformada Wavelet
  
  Glória Maria Fonseca Galante, Jules Ghislain Slama, and Angelo Maia Cister
  Federal University of Rio de Janeiro, Brazil and EMBRATEL, Brazil
  gloriamomegainccbr, julesservcomufrjbr, and cistercosufrjbr
• MaxAnnealing: A Tool for Algorithmic Composition Based on Simulated Annealing
  
  Fernando Iazzetta and Fabio Kon
  University of California at Berkeley, USA, Pontifical Catholic University of São Paulo, Brazil, and University of São Paulo, Brazil
  fernandoCNMATberkeleyedu and konimeuspbr
• The Necessity of Composing with Live-Electronics: A short account of the piece "Gegensaetze (gegenseitig)" and of the hardware (AUDIACSYSTEM) used to produce the real-time processes on it
  
  Javier Alejandro Garavaglia
  ICEM-FOLKWANG-HOCHSCHULE ESSEN Klemesborn 39/45239- ESSEN. Germany
  garafolkwanguni-essende
• Síntese Sonora com Harmônicos Escorregadios
  
  Jorge Antunes
  University of Brasília, Brazil
  
• Transformações sonoras através de operações timbrais
  
  José Eduardo Fornari and Furio Damiani
  State University of Campinas, Brazil
  fornaridsiffeeunicamp
• Expert Piano: Um Ambiente Educacional para Auxiliar o Estudo de Piano e Música
  
  José Honório Glanzmann, Neide Santos, and Ana Regina Rocha
  Federal University of Rio de janeiro, Brazil
  dedecosufrjbr
• Lexikon-Sonate. An Interactive Realtime Composition for Computer-Controlled Piano
  
  Karlheinz Essl
  Studio for Advanced Music Technology, Austria
  esslpingat
• Aquisição do Conhecimento em Harmonia: Um Ambiente de Aprendizagem
  
  Luciênio de M. Teixeira, Carlos Alan Peres da Silva, Edilson Ferneda, and Evandro de Barros Costa
  Federal University of Paraíba, Brazil and Federal University of Alagoas, Brazil
  lucieniodscufpbbr, peresbrufpb2bitnet, edilsondscufpbbr, and evandrodccufalbr
• Dynamic MIDI Editor: A Windows Application for Computer Music
  
  Luiz Antonio Pinheiro Martins
  Federal University of Minas Gerais, Brazil
  pinheirodccufmgbr
• Cognitive Modelling in Ethnomusicology: Challenges, Caveats and its Relevance for Computer Music
  
  Marc Leman
  University of Ghent, Belgium
  Marc.Lemanrugacbe
• Interactive Composition Using Markov Chain and Boundary Functions
  
  Jônatas Manzolli and Adolfo Maia Jr.
  State University of Campinas, Brazil
  jonatasdsiffeeunicampbr
• The Development of a Gesture Interfaces' Laboratory
  
  Jônatas Manzolli
  State University of Campinas, Brazil
  Jonatasdsiffeeunicampbr
• Reconhecimento de timbres musicais através da rede neural auto-organizável de Kohonen
  
  Marcelo Jara Pérez, José Eduardo Fornari, and Furio Damiani
  State University of Campinas, Brazil
  Jaradsiffeeunicampbr and fornaridsiffeeunicamp
• Software Auto-Instrucional em Teoria Musical
  
  Márcio da Costa Brandão and Míriam Rica Sambuichi
  University of Brasília, Brazil
  brandãocicunbbr
• CAC - MIDI MUSIC The Computer without algorithm
  
  Nelson Cavalcanti de Almeida
  Federal University of Pernambuco, Brazil and Keele University, UK
  16almeidanpd1ufpebr and Mud00cckeeleacuk
• A neural model to segment musical pieces
  
  Otávio Augusto Salgado Carpinteiro
  University of Sussex, UK
  otavioccogssussexacuk
• Una Experiencia de Diseño y Programación de Software para Educación Musical
  
  Patricia S. San Martín
  IRICE, Argentina
  
• Wavelets as a Multiresolution Analysis and Synthesis Technique for Sound Timbres Edition
  
  Regis Rossi Alves Faria and João Antônio Zuffo
  University of São Paulo, Brazil
  regislsiuspbr and Jazuffolsiuspbr
• O zig-zag conceitual no estúdio de composição
  
  Rodolfo Caesar
  Federal University of Rio de Janeiro, Brazil
  caesarvms1nceufrjbr
• Fifteen Years of Computer-Assisted Composition
  
  Stephen Travis Pope
  University of California at Berkeley, USA
  stpCNMATBerkeleyedu
• MIDISCAN the program for reading and processing musical notation
  
  Wladyslaw Homenda, Alfredo Cristobal, and Mercedes Arellano
  CICESE, Mexico
  

Compositions: