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Musical Score
Recognition of "Don Cuco El Guapo" Pianist Robot
A. Pedroza, H.
Vargas, D. Vera, and R. Fournier
Universidad Autónoma de Puebla,
Mexico
-
MWSCCS: A Stochastic
Concurrent Music Language
Brian J. Ross
Brock University, Canada
bross
sandbanks
cosc
brocku
ca
-
An Optimized
Method for Storage, Transmission and Display of Digital Audio
Data
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Music without
body: composition, computers and instrumental practice
Carlos Cerana and
Gabriel Persico
Musical Production and Research Laboratory (LIPM),
Argentina and
Conservatorio Nacional,
Argentina
rqcerana
acriba
edu
ar
-
AbCMus: Uma
abordagem para construção musical interativa
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One Tool, Two
Programs and Several Ideas for Composition with Spectral Modelling
Synthesis
Celso Aguiar
Stanford University, USA
aguiar
ccrma
stanford
edu
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Theoretical
outline of a hybrid musical system
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Composing with
Chaos: applications of a new science for music
David Clark Little
Sweelinck Conservatory Amsterdam,
Netherlands
-
A computer-aided
object-oriented analysis
Didier Guigue
Federal University of Paraíba,
Brazil
didier
brufpb
bitnet
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Chaosynth: Um
sistema que utiliza um autômato Celular para sintetizar
partículas sônicas
Eduardo Reck Miranda
Federal University of Rio Grande do Sul,
Brazil
miranda
music
ed
ac
uk
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SINAPSIS: A
self-generating system of musical discourses
Eleazar Garzón
National University of Córdoba,
Argentina
-
SETMUS: Uma
ferramenta Computacional para o Ensino da Música
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AREM2: a
composition tool
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Um Modelo
Inteligente para Classificação Harmônica
Tonal
Fábio Ghinatti Beckenkamp and
Paulo Martins Engel
Federal University of Rio Grande do Sul,
Brazil
-
PadMaster: an
improvisation environment for real time performance
Fernando Lopez-Lezcano
Stanford University, USA
nando
ccrma
stanford
edu
-
Categorial
Grammar and Harmonic Analysis
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Do som do tempo ao
tempo do som
Flo Menezes
Studio PANaroma, Brazil
fmenezes
bra000
canal-vip
onsp
br
-
Laboratorio de
Música Electroacústica del Departamento de Música de
la Universidad Nacional de Córdoba
-
Images from the
Aperiodic Time
J. J. García Escudero
University of Oviedo, Spain
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Digital Waveguide
Modeling of Air-Driven Reed Generators for the Synthesis of Brass and
Woodwind Instrument Sounds
Gary P. Scavone
Stanford University, USA
gary
ccrma
stanford
edu
-
Processamento de
Sinais Acústicos Utilizando Transformada Wavelet
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MaxAnnealing: A Tool
for Algorithmic Composition Based on Simulated Annealing
Fernando Iazzetta and
Fabio Kon
University of California at Berkeley, USA,
Pontifical Catholic University of São Paulo,
Brazil, and
University of São Paulo,
Brazil
fernando
CNMAT
berkeley
edu and
kon
ime
usp
br
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The Necessity
of Composing with Live-Electronics: A short account of the piece
"Gegensaetze (gegenseitig)" and of the hardware (AUDIACSYSTEM) used to
produce the real-time processes on it
Javier Alejandro Garavaglia
ICEM-FOLKWANG-HOCHSCHULE ESSEN Klemesborn 39/45239-
ESSEN. Germany
gara
folkwang
uni-essen
de
-
Síntese
Sonora com Harmônicos Escorregadios
Jorge Antunes
University of Brasília, Brazil
-
Transformações sonoras
através de operações timbrais
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Expert Piano: Um
Ambiente Educacional para Auxiliar o Estudo de Piano e
Música
José Honório Glanzmann,
Neide Santos, and
Ana
Regina Rocha
Federal University of Rio de janeiro,
Brazil
dede
cos
ufrj
br
-
Lexikon-Sonate.
An Interactive Realtime Composition for Computer-Controlled
Piano
Karlheinz Essl
Studio for Advanced Music Technology,
Austria
essl
ping
at
-
Aquisição do Conhecimento
em Harmonia: Um Ambiente de Aprendizagem
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Dynamic MIDI
Editor: A Windows Application for Computer Music
Luiz Antonio Pinheiro Martins
Federal University of Minas Gerais,
Brazil
pinheiro
dcc
ufmg
br
-
Cognitive Modelling
in Ethnomusicology: Challenges, Caveats and its Relevance for Computer
Music
Marc Leman
University of Ghent, Belgium
Marc.Leman
rug
ac
be
-
Interactive
Composition Using Markov Chain and Boundary Functions
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The Development of a
Gesture Interfaces' Laboratory
Jônatas Manzolli
State University of Campinas, Brazil
Jonatas
dsif
fee
unicamp
br
-
Reconhecimento de
timbres musicais através da rede neural auto-organizável de
Kohonen
-
Software
Auto-Instrucional em Teoria Musical
-
CAC - MIDI
MUSIC The Computer without algorithm
-
A neural model
to segment musical pieces
Otávio Augusto Salgado
Carpinteiro
University of Sussex, UK
otavioc
cogs
sussex
ac
uk
-
Una
Experiencia de Diseño y Programación de Software para
Educación Musical
Patricia S. San Martín
IRICE, Argentina
-
Wavelets as a
Multiresolution Analysis and Synthesis Technique for Sound Timbres
Edition
-
O zig-zag
conceitual no estúdio de composição
Rodolfo Caesar
Federal University of Rio de Janeiro,
Brazil
caesar
vms1
nce
ufrj
br
-
Fifteen Years of
Computer-Assisted Composition
Stephen Travis Pope
University of California at Berkeley, USA
stp
CNMAT
Berkeley
edu
-
MIDISCAN the
program for reading and processing musical notation
Wladyslaw Homenda, Alfredo Cristobal, and Mercedes
Arellano
CICESE, Mexico