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The Synthesis of
Complex Sonic Events by Functional Iterations
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NotaCor - Impressão
de Partituras em Cores
Alex de Oliveira Meireles
University of Brasília, Brazil
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Um Ambiente de
Auxílio a Composição Musical
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On the improvement of
the Real-Tirne Performance of Two Fundamental Frequency Recognition
Algorithms
Andrew Choi
University of Hong Kong, Hong Kong
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A Phenomenological
Study of Timbral Extension in Interactive Performance
Anna Sofie Christiansen
University of Copenhagen, Denmark
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A Linguagem SOM-A para
Síntese Aditiva
Aluizio Arcela
University of Brasília, Brazil
arcelacicunbbr
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Virtual Musical
Instruments: Accessing the Sound Synthesis Universe as a
Performer
Axel Mulder
Simon Fraser University, Canada
-
Processador de Efeitos
em Sinais Digitais de Áudio
Márcio da Costa Pereira
Brandão
University of Brasília, Brazil
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A Visual
Programming Environment for Constraint based Musical
Composition
Camilo Rueda
Universidad Javeriana de Cali, Colombia
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Modelling the Excitation
Function to Improve Quality in LPC's Resynthesis
Celso Aguiar
Stanford University, USA
aguiarccrmastanfordedu
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Modular programming of
instruments in cmusic
Carlos Cerana
Musical Production and Research Laboratory (LIPM),
Argentina
rqceranaarcribaeduar
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An integral
educational project: Musical Production
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An Overview of
Criteria for Evaluating Synthesis and Processing
Techniques
David A. Jaffe
davidjaffecom
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The Music Kit on a
PC
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Incremental
evaluation in a musical hierarchy
M. DeSainte-Catherine,
K. Barbar, and
A.
Beurivé
Bordeaux 1 University, France
myriamlabriu-bordeauxfr
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Representação Angular para
Notação Musical
Edilson Eulalio Cabral
Federal University of Paraíba,
Brazil
eulaliodeeufpbbr
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A System for
Aiding Discovery in Musical Analysis
Edilson Ferneda,
Carlos Alan Peres da Silva,
Luciênio de Macêdo Teixeira, and
Hélio de Menezes Silva
Federal University of Paraíba,
Brazil
edilsondscufpbbr and
peresbrufpb2bitnet
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ARTIST: An
AI-based tool for the design of intelligent assistants for sound
synthesis
Eduardo Reck Miranda
University of Edinburgh, UK
mirandamusicedacuk
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Learning
Counterpoint Rules for Analysis and Generation
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CAMM - Automatic
Composer of Musical Melodies
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A Connectionist
Model for Chord Classification
Fabio Ghignatti Beckenkamp and Paulo Martins Engel
Federal University of Rio Grande do Sul,
Brazil
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The MusES
system: an environment for experimenting with knowledge representation
techniques in tonal harmony
Francois Pachet
University of Paris VI, France
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Representing Musicians'
Actions for Simulating Improvisation in Jazz
Geber Ramalho
University of Paris VI, France
ramalholaforiaibpfr
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Um Novo Músico
Chamado "Usuário"
Fernando Iazzetta
Pontifical Catholic University of São Paulo,
Brazil
-
Síntese Aditiva de
Tons Musicais através da transformada
Karhunen-Loève
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FracWave. Non-linear
Dynamics as Timbral Constructs
Jônatas Manzolli
State University of Campinas, Brazil
jonatasdsiffeeunicampbr
-
Modelos
Matemáticos e Composição Assistida por Computador,
Sistemas Estocásticos e Sistemas Caóticos
Mikhail Malt
IRCAM, France
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Positional Rhythmic
Notation: an Implication for a Positional Theory of Rhythm
M. R. Moraes
Federal University of Espírito Santo,
Brazil
mmoraesnpdlefesbr
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Orquestrador MIDI
Sinfônico
Osman Giuseppe Gioia
University of Brasília, Brazil
-
Editor de
Preceitos Intervalares
Ricardo Ribeiro de Faria Castro
University of Brasília, Brazil
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A New Technology
for Musical Sound Synthesis and Control
Richard Hodges
Gibson USA, USA
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The SmOKe music
representation, description language, and interchange
format
Stephen Travis Pope
Stanford University, USA
stpCCRMAStanfordedu
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Synthesizing Music with
Sampled Sound
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Interfaces
Musicais - Um problema antigo
Domingos Aparecido Bueno da Silva
Federal University of Santa Catarina,
Brazil
cso3dabibmufscbr