Nome do evento | Sigla | Circulação | Edições | Aceitação | Caráter | Sociedade Científica | full paper | comitê | Qualis 2001 | Sugestão Nível | Página Web |
Simpósio Brasileiro de Computação Musical | SBCM | Internacional via Web | 9 | 68 % | Nacional | SBC | Sim | Internacional | C | C | http://gsd.ime.usp.br/sbcm |
International Computer Music Conference | ICMC | Internacional | 29 |
50 % |
Internacional | ICMA | Sim | Internacional | Não | A | http://www.computermusic.org |
Nome do periódico | ISI/JCR | CiteSeer | Editora | ISSN | Qualis 2001 | Sugestão Nível | Página Web |
Computer Music Journal | 0.49 | - |
MIT Press | 0148-9267 | Não | A |
http://www-mitpress.mit.edu/Computer-Music-Journal
|
Journal of the Audio Engineering Society | 0.58 | - | AES | 0004-7554 | Não | A |
http://www.aes.org/journal
|
IEEE Multimedia |
0.48
|
0.97
|
IEEE
|
1070-986X |
Não
|
A
|
http://www.computer.org/multimedia
|
Journal of New Music Research | 0.2 | - |
Swets Zeitlinger | 0929-8215 | Não | B |
http://www.swets.nl/jnmr |
Organised Sound | - | - | Cambridge U. Press | 1355-7718 | Não | C |
http://uk.cambridge.org/journals/oso
|
The journal - which was launched in 1972 - has an interdisciplinary orientation.O Organised Sound - International Journal of Music and Technologypublica trabalhos originais completos com processo de revisão por comitê internacional e com boa divulgação internacional promovida pela Cambridge University Press. Já está em seu 6o. ano. O seu escopo, extraído de sua página Web, é o seguinte:
Major issues in the journal covered are: automated composition; Artificial
Intelligence and music; digital sound analysis, processing and synthesis;
interactive systems; multimedia systems; auditive perception and cognition;
cognitive musicology; music analysis.
Organised Sound is an international journal which focuses on the rapidly
developing methods and issues arising from the use of technology in music
today. It concentrates upon the impact which the application of technology is
having upon music in a variety of genres, including multimedia, performance
art, sound sculpture and music ranging from popular idioms to experimental
electroacoustic composition. It provides a unique forum for music scholars,
composers, performers, computer specialists, mathematicians and engineers to
share the results of their research as they affect musical issues. Most issues
include articles relating to a specially selected theme, as well as other
articles on topics relevant to this exciting field. An accompanying CD is sent
to subscribers annually.