Works accepted by the Committee of Papers of the Seventh Brazilian Symposium of Computer Music (average higher than 4.5)

[1] P. Akamine. Pierre Schaeffer e a filosofia: desencontros. 5.875. São Paulo University, Brazil. akamine@writeme.com *

[2] L. Aldrovandi. Gesture, facture, allure: the sculptor molds his clay. 5.2. Pontifical Catholic University of São Paulo, Brazil. leoaldrovandi@mandic.com.br *

[3] J. Antunes. Dossier M-8: contribuição ao estudo da história da música computacional algorítmica brasileira. 5. Brasília University, Brazil. antunes@unb.br *

[4] A. Arcela. Time Trees as Virtual Worlds.8-8.33… Brasília University, Brazil. arcela@cic.unb.br *

[5] D. Arfib. From "Music V" to "Creative Gesture in Computer Music". 6. CNRS, France. arfib@lma.cnrs-mrs.fr *

[6] I. Bakhmutova, V. Gusev and T. Titkova. Computer Search for Informative Features in the Problem of Differentiation of Melodies by their "Nationality". 8. Russian Academy of Sciences. titkova@math.nsc.ru *

[7] E. Bilotta and P. Pantano. In Search of Musical Fitness on Consonance. 7. University of Calabria, Italy. eleb@abramo.it and piepa@abramo.it *

[8] M. Blanchard, J. Manzolli and P. Verschure. A Robot Based Interactive Composition System. 7. State University of Campinas, Brazil, and Institute of Neuroinformatics, Switzerland. jmb@ini.phys.ethz.ch, jonatas@nics.unicamp.br and pfmjv@ini.phys.ethz.ch

[9] A. Bonardi and F. Rousseaux. Creating Graphical Metaphors of Music with the Alma Environment. 8. University of Paris IV--Sorbonne and University of Reims, France. elodie.bonardi@wanadoo.fr *

[10] S. Cavalcante, G. Guimarães, H. Leão and G. Ramalho. Benchmarking Wave-to-MIDI Transcription Tools. 6. Federal University of Pernambuco, Brazil. svc@cin.ufpe.br, gfg@cin.ufpe.br, hbsl@cin.ufpe.br and glr@cin.ufpe.br

[11] J. Correa, E. Miranda and J. Wright. Categorising Complex Dynamic Sounds. 9. Federal University of Santa Maria, Brazil, and Sony Computer Science Laboratory, Paris. miranda@csl.sony.fr *

[12] R. Correia and E. Pereira. AudioFix: Análise e correção de resposta acústica com processamento digital de sinais. 8. University of the West of São Paulo, Brazil. ronaldo@apec.unoeste.br and edivaldo@apec.unoeste.br

[13] F. Damiani, A. Maia Jr, J. Manzolli and P. Tatsch. A Gestural Control for a Non-Linear Sound Synthesis Method. 8. State University of Campinas, Brazil. furio@fee.unicamp.br *

[14] J. Dovicchi. Using New and Stable Wavelets Coefficients for the Sound Analysis of Instruments. 6. Federal University of Uberlândia, Brazil. dovicchi@verdi.demac.ufu.br

[15] E. Ferneda. MHITS --- a Musical Harmony Intelligent Tutoring System. 6.25. Federal University of Paraíba, Brazil. edilson@dsc.ufpb.br

[16] S. Ferraz. Loop-Interpolation-Random&Gesture: o déjà vu na composição assistida por computador. 7.8. Pontifical Catholic University of São Paulo, Brazil. sferraz@pucsp.br *

[17] L. Flores, M. Pimenta and R. Viccari. Estendendo as Capacidades Musicais do Ambiente de Autoria Multimídia ToolBook II. 5.66… Federal University of Rio Grande do Sul, Brazil. lvf@inf.ufrgs.br, mpimenta@inf.ufrgs.br and rosa@inf.ufrgs.br.

[18] D. Garcia. Modelos sonoros, metáforas e mímeses na composição da música eletroacústica. 9. State University of Campinas, Brazil. d_garcia@xpnet.com.br *

[19] D. Guigue and E. de Lima. Segmentação Automática de Fluxos Musicais: uma Abordagem via Agentes Racionais. 8.5. Federal University of Paraíba, Brazil. dguigue@openline.com.br and etrajano@dsc.ufpb.br *

[20] D. Keller. Social and Perceptual Dynamics in Ecologically-based Composition. 7.5-8. CCRMA--Stanford University. dkeller@ccrma.stanford.edu *

[21] M. Laurson. Viuhka: A Compositional Environment for Musical Textures. 5.25-6. Sibelius Academy, Finland. laurson@siba.fi

[22] V. Lazzarini. Some Applications of the Sound Object Library. 6.66… Maynooth Univesity, Ireland. Victor.Lazzarini@may.ie *

[23] V. Leite. Músicos e Movimentos que Iniciaram a Prática da Eletroacústica no Brasil. 6. Rio de Janeiro University, Brazil. vania.dantas@openlink.com.br *

[24] J. Lopes, R. do Valle, A. Maia Jr and J. Manzolli. ELEMENTARIDADES A Labanian Representation of the Matter's Structure in the Universe. 5. State University of Campinas, Brazil. adolfo@nics.unicamp.br

[25] M. Loureiro, H. de Paula and H. Yehia. Study of the Timbre Dynamics of an Expressive Performance Using Principal Component Analysis of Spectral Parameters. 8.66… Federal University of Minas Gerais, Brazil. mauricio@musica.ufmg.br, hugobp@cpdee.ufmg.br and hani@cpdee.ufmg.br *

[26] J. Manzolli, A. Moroni and F. von Zuben. Interactively Evolving Aesthetic Domain. 7. State University of Campinas, Brazil. jonatas@nics.unicamp.br, artemis@ia.cti.br and vonzuben@dca.fee.unicamp.br

[27] C. Palombini. Ideas for a Musicology of Electroacoustic Music: Notes to a Reading of Landy. 8.66-9. Federal University of Pernambuco, Brazil. palombini@terra.com.br *

[28] A. Riddell. Data Culture Generation. 5-5.5. Queensland University of Technology, Australia. amr@alphalink.com.au *

[29] C. da Silva. Identificação automática de freqüências de notas musicais em arquivos de áudio polifônico no formato wave. 4.66… Federal University of Uberlândia, Brazil. carlossilva@quantica.com.br

[30] M. Zur. The Role of Natural Musical Patterns in the Understanding of New Music. 7. Rubin Academy of Music and Dance, Israel. msmzur@mscc.huji.ac.il *