KEYNOTE ADDRESSES

[1] Co-hear-ence and Electroacoustic Music

Leigh Landy (De Montfort University, UK)

[2] Artificial Intelligence, Machine Learning, and Music Understanding

Roger B. Dannenberg (Carnegie Mellon University, USA)

PAPERS I

Moderator: Aluizio Arcela

[3] From ‘Music V’ to ‘Creative Gestures in Computer Music’

Daniel Arfib and Loïc Kessous (CNRS-LMA, France)

[4] Some Applications of the Sound Object Library

Victor Lazzarini (National University of Ireland)

[5] Categorising Complex Dynamic Sounds

James Correa (LAMESM-UFSM), Eduardo Miranda (Sony CSL-Paris) and Joe Wright (Nyr Sound, UK)

[6] Automatic Segmentation of Musical Flows: A Rational Agents Approach

Edilson Ferneda, Didier Guigue and Ernesto Trajano (GMT-UFPB)

PAPERS II

Moderator: Conrado Silva

[7] Musicians and Movements That Initiated Electroacoustics in Brazil

Vania Dantas Leite (IVL-UniRio)

[8] Dossier M-8: A Contribution to the Study of the History of Brazilian Algorithmic Computer Music

Jorge Antunes. (UnB)

PAPERS III

Moderator: Maurício Loureiro

[9] Making Sense of Schaeffer’s ‘Philosophy’

Paulo Akamine (FFLCH-USP)

[10] Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy

Carlos Palombini (UFPE)

[11] Social and Perceptual Dynamics in Ecologically-Based Composition

Damián Keller (CCRMA, USA)

[12] Data Culture Generation: After Content, Process as Aesthetic

Alistair Riddell (Queensland University of Technology, Australia)

PAPERS IV

Moderator: Rodolfo Caesar

[13] Gesture, Facture, Allure: The Sculptor Moulds the Clay

Leonardo Aldrovandi (LLS-PUCSP)

[14] Sound Models, Metaphor and Mimesis in the Composition of Electroacoustic Music

Denise Garcia (IA-Unicamp)

[15] loop-interpolation-random&gesture: déjà vu in computer-aided composition

Leonardo Aldrovandi and Silvio Ferraz (LLS-PUCSP)

PAPERS V

Moderator: Eduardo Miranda

[16] Benchmarking Wave-to-MIDI Transcription Tools

Sérgio Cavalcante, Germano Guimarães,Henrique Leão and Geber Ramalho (UFPE)

[17] Automatic Identification of Frequencies of Musical Notes in Polyphonic Wave Files

Carlos A. L. da Silva and Antônio C. P. Veiga (UFU)

[18] Creating Graphical Metaphors of Music with the Alma Environment

Alain Bonardi (Paris IV-Sorbonne) and Francis Rousseaux (University of Reims, France)

[19] Time-Trees as Virtual Worlds

Aluizio Arcela (UnB)

[20] Composing with Interactive Genetic Algorithms

Jônatas Manzolli, Artemis Moroni, Fernando Von Zuben (Unicamp)

[21] Elementaridades: A Composition Based on Elementary Particle Model and Expressive Motion

Joana Lopes, Adolfo Maia Jr, Jônatas Manzolli and Raul do Valle (NICS-Unicamp)

Moderator: Eduardo Miranda

[22] MHITS: A Musical Harmony Intelligent Tutoring System

Adriano Caminha (UFPB), Evandro Costa (UFAL), Edilson Ferneda (UFPB) and Luciênio Teixeira (UFPB)

[23] Extending the Capabilities of a Multimedia Authoring Environment

Luciano. Flores, Rosa. Viccari and Marcelo Pimenta (UFRGS)

[24] AudioFix: Analysis and Correction of Acoustic Response with Digital Signal Processing

Ronaldo Correia and Edivaldo Pereira (FIPP-UNOESTE)

[25] Using New and Stable Wavelet Coefficients in Instrument Sound Analysis

João Dovicchi (NACS-UFU)

[26] Study of the Timbre Dynamics of an Expressive Performance Using Principal Component Analysis of Spectral Parameters

Maurício Loureiro, Hugo de Paula and Hani Yehia (CEFALA-UFMG)

[27] A Non-Linear Sound Synthesis Method

Jônatas Manzoll, Furio Damiani, Peter Jürgen Tatsch and Adolfo Maia Jr. (Unicamp)

PAPERS VII

Moderator: Didier Guigue

[28] Computer Search for Informative Features in the Problem of Differentiation of Melodies by Their ‘Nationality’

Irina V. Bakhmutova, Vladimir D. Gusev and Tatiana N. Titkova (Russian Academy of Sciences)

[29] In Search of Musical Fitness on Consonance

Eleonora Bilotta and Pietro Pantano (University of Calabria, Italy)

[30] Viuhka: A Compositional Environment for Musical Textures

Mikael Laurson (Sibelius Academy, Finland)

[31] A Robot Based Interactive Composition System

Jônatas Manzolli, Klauss Wassermann, Mark Blanchard and Paul Verschure (Unicamp)