VII Simpósio Brasileiro de Computação e Música

VII Brazilian Symposium on Computer Music

Held in Curitiba, PR, from July 17 to 20, 2000

Symposium on the Web:

• http://www.cmu.eca.usp.br/lami/sbcm2000 - Cached

Chair:

• Bernadete Zagonel
  musica2000uolcombr
  

Committee of Papers

• Aluizio Arcela (chair), University of Brasília, Brazil
• Daniel Arfib, CNRS, France
• Peter Beyls, St Lukas Art School, Belgium
• Georgina Born, Emmanuel College, University of Cambridge, UK
• Moisei Boroda, German Association of Musicians, Germany
• Márcio Brandão, University of Edinburgh, UK
• Antonio Camurri, University of Genoa, Italy
• Furio Damiani, State University of Campinas, Brazil
• Roger Dannenberg, Carnegie Mellon University, USA
• Myriam Desainte-Catherine, University of Bordeaux, France
• Simon Emmerson, City University, UK
• Giselle Ferreira, Open University, UK
• Carole Gubernikoff, University of Rio de Janeiro, Brazil
• Didier Guigue, Federal University of Paraíba, Brazil
• Fabio Kon, University of Illinois at Urbana-Champaign, USA
• Leigh Landy, De Montfort University, UK
• Victor Lazzarini, National University of Ireland, Eire
• Maurício Loureiro, Federal University of Minas Gerais, Brazil
• Peter Manning, University of Durham, UK
• Jônatas Manzolli, State University of Campinas, Brazil
• Eduardo Miranda, Lamesm, Federal University of Santa Maria, Brazil / Sony CSL-Paris, France
• Axel Mulder, Infusion Systems Ltd., Canada
• Richard Orton, University of York, UK
• Carlos Palombini (chair), Federal University of Pernambuco, Brazil
• Geber Ramalho, Federal University of Pernambuco, Brazil
• Alistair Riddell, Queensland University of Technology, Australia
• Conrado Silva, Univertsity of Brasília, Brazil
• Steve Sweeney-Turner, University of Leeds, UK
• Rick Taube, University of Illinois at Urbana-Champaign, USA
• Petri Toiviainen, University of Jyväskylä, Finland
• Barry Truax, Simon Fraser University, Canada
• Mirjana Veselinovic-Hofman, Belgrade University of Arts, Yugoslavia
• Marcelo M. Wanderley, IRCAM, Centre Georges Pompidou, France
• Luke Windsor, University of Leeds, UK

Committee of Compositions

• Miguel Azguime, Portugal
• Francoise Barriere, France
• Rodolfo Caesar, Brazil
• Carlos Cerana, Argentina
• Paulo Chagas, Brazil/Germany
• Silvio Ferraz, Brazil
• Denise Garcia, Brazil
• Fernando Iazzetta (chair), Brazil
• Paul Lansky, USA
• Emmanuelle Loubet, Japan/Germany
• Wilson Sukorski, Brazil

Keynotes:

• Co-hear-ence and Electroacoustic Music
  
  Leigh Landy De Montfort University, UK
  llandydmuacuk
• Artificial Intelligence, Machine Learning, and Music Understanding
  
  Roger B. Dannenberg Carnegie Mellon University, USA
  rbdcscmuedu, http://www.cs.cmu.edu/~rbd

Results (selected papers):

Papers:

• Making Sense of Schaeffer’s ‘Philosophy’*
  
  P. Akamine
  FFLCH, São Paulo University, Brazil
  akaminewritemecom
• Gesture, facture, allure: the sculptor molds his clay*
  
  L. Aldrovandi
  Pontifical Catholic University of São Paulo, Brazil
  leoaldrovandimandiccombr
• Dossier M-8: A Contribution to the Study of the History of Brazilian Algorithmic Computer Music*
  
  J. Antunes
  Brasília University, Brazil
  antunesunbbr
• Time Trees as Virtual Worlds*
  
  A. Arcela
  Brasília University, Brazil
  arcelacicunbbr
• From "Music V" to "Creative Gesture in Computer Music"*
  
  D. Arfib and L. Kessous
  CNRS, France
  arfiblmacnrs-mrsfr
• Computer Search for Informative Features in the Problem of Differentiation of Melodies by their "Nationality"*
  
  I. Bakhmutova, V. Gusev and T. Titkova
  Russian Academy of Sciences
  titkovamathnscru
• In Search of Musical Fitness on Consonance*
  
  E. Bilotta and P. Pantano
  University of Calabria, Italy
  elebabramoit and piepaabramoit
• A Robot Based Interactive Composition System
  
  J. Manzolli, K. Wassermann, M. Blanchard and P. Verschure
  State University of Campinas, Brazil, and Institute of Neuroinformatics, Switzerland
  jonatasnicsunicampbr, klauswiniphysethzch, jmbiniphysethzch and pfmjviniphysethzch
• Creating Graphical Metaphors of Music with the Alma Environment*
  
  A. Bonardi and F. Rousseaux
  University of Paris IV - Sorbonne and University of Reims, France
  alain.bonardiwanadoofr and francis.rousseauxuniv-reimsfr
• Benchmarking Wave-to-MIDI Transcription Tools
  
  S. Cavalcante, G. Guimarães, H. Leão and G. Ramalho
  Federal University of Pernambuco, Brazil
  svccinufpebr, gfgcinufpebr, hbslcinufpebr and glrcinufpebr
• Categorising Complex Dynamic Sounds*
  
  J. Correa, E. Miranda and J. Wright
  Federal University of Santa Maria, Brazil, Sony Computer Science Laboratory, Paris, and Nýr Sound, UK
  jcorrea1ixnetcomcom, mirandacslsonyfr and joenyrsoundcom
• AudioFix: Analysis and Correction of Acoustic Response with Digital Signal Processing
  
  E. Pereira and R. Correia
  University of the West of São Paulo, Brazil
  edivaldoapecunoestebr and ronaldoapecunoestebr
• A Non-Linear Sound Synthesis Method*
  
  J. Manzolli, F. Damiani, P. Tatsch. and A. Maia Jr.
  State University of Campinas, Brazil
  jonatasnicsunicampbr, furiofeeunicampbr, peterdsiffeeunicampbr and adolfonicsunicampbr
• Using New and Stable Wavelets Coefficients in Instrument Sound Analysis
  
  J. Dovicchi
  Federal University of Uberlândia, Brazil
  dovicchiverdidemacufubr
• MHITS: a Musical Harmony Intelligent Tutoring System
  
  A. Caminha, L. Teixeira, E. Ferneda and E. Costa.
  Federal University of Paraíba, Brazil and
  Federal University of Alagoas, Brazil
  caminhadscufpbbr, lucienioliaachufpbbr, edilsondscufpbbr and ebcfapealbr
• Loop-Interpolation-Random & Gesture: déjà vu in computer-aided composition*
  
  S. Ferraz and L. Aldrovandi
  Pontifical Catholic University of São Paulo, Brazil
  sferrazpucspbr and leoaldrovandiositecombr
• Extending the Capabilities of a Multimedia Authoring Environment
  
  L. Flores, R. Viccari and M. Pimenta
  Federal University of Rio Grande do Sul, Brazil
  lvfinfufrgsbr, rosainfufrgsbr and mpimentainfufrgsbr
• Sound Models, Metaphor and Mimesis in the Composition of Electroacoustic Music*
  
  D. Garcia
  State University of Campinas, Brazil
  d_garciaxpnetcombr
• Automatic Segmentation of Musical Flows: A Rational Agents Approach*
  
  E. Trajano, D. Guigue and E. Ferneda
  Federal University of Paraíba, Brazil
  etrajanodscufpbbr, dguigueopenlinecombr and edilsondscufpbbr
• Social and Perceptual Dynamics in Ecologically-based Composition*
  
  D. Keller
  CCRMA - Stanford University, USA
  dkellerccrmastanfordedu
• Viuhka: A Compositional Environment for Musical Textures
  
  M. Laurson
  Sibelius Academy, Finland
  laursonsibafi
• Some Applications of the Sound Object Library*
  
  V. Lazzarini
  National University of Ireland
  Victor.Lazzarinimayie
• Musicians and Movements That Initiated Electroacoustics in Brazil*
  
  V. Leite
  Rio de Janeiro University, Brazil
  vania.dantasopenlinkcombr
• ELEMENTARIDADES: A Composition Based on Elementary Particle Model and Expressive Motion
  
  A. Maia Jr., R. do Valle, J. Manzolli and J. Lopes
  State University of Campinas, Brazil
  adolfonicsunicampbr, raulnicsunicampbr, jonatasnicsunicampbr and joananicsunicampbr
• Study of the Timbre Dynamics of an Expressive Performance Using Principal Component Analysis of Spectral Parameters*
  
  H. de Paula, H. Yehia and M. Loureiro
  Federal University of Minas Gerais, Brazil
  hugobpcpdeeufmgbr), hanicpdeeufmgbr) and mauriciomusicaufmgbr)
• Composing with Interactive Genetic Algorithms
  
  A. Moroni, J. Manzolli and F. von Zuben
  Technological Center for Informatics, Brazil, and State University of Campinas, Brazil
  artemisiactibr, jonatasnicsunicampbr and vonzubendcafeeunicampbr
• Ideas for a Musicology of Electroacoustic Music: Notes to a Reading of Landy*
  
  C. Palombini
  Federal University of Pernambuco, Brazil
  palombiniterracombr
• Data Culture Generation: After Content, Process as Aesthetic*
  
  A. Riddell
  Queensland University of Technology, Australia
  amralphalinkcomau
• Automatic Identification of Frequencies of Musical Notes in Polyphonic Wave Files
  
  C. da Silva, G. Carrijo, L. Lima and A. Veiga
  Federal University of Uberlândia, Brazil
  carlossilvaquanticacombr, gilbertoufubr, rhodanquanticacombr and acpveigaufubr
• The Role of Natural Musical Patterns in the Understanding of New Music
  M. Zur
  Rubin Academy of Music and Dance, Israel
  msmzurmscchujiacil

*By agreement with the Editors, works marked with an * have been selected for publication in special issue 5.3 of the Electronic Musicological Review (Curitiba: Federal University of Paraná).

Compositions:

• Rio de los pájaros
  Beatriz Ferreyra, Argentina
• Mâts
  Elsa Justel, France
• Residue
  Dennis Miller, USA
• Night Ascends from Ear like a Butterfly
  Hideko Kawamoto, USA
• Astro Turf
  Eva Sjuve, Sweden
• Strain
  Christopher Burns, USA
• En cuerdas
  Francis Dhomont, France
• Letzte Gebärde offener Münder
  Christian Banasik, Poland/Germany
• Barren Lands
  Rajmil Fischman, Peru/England
• Le Grain de Bruxelles
  Theodore Lotis, Inglaterra/Grecia
• Intra
  Frank Ekeberg, Norway
• Prélèvements
  Miguel Calzón, Argentina
• Q
  Iain McCurdy, North Ireland
• Amore et Dolore
  Pedro Kröger, Brazil
• Lament
  Edward Kelly, England
• Die Korfsche Uhr
  János Descényi, Hungary
• Night of the Magicians
  Gyula Pintér, Hungary
• Six Dreaming Jewels
  Diego Garro, Italy
• Tavola VII
  Michele Biasutti, Italy
• Poucas Linhas de Ana Cristina
  Silvio Ferraz, Brazil
• Spawn
  Paul A. Oehlers, USA
• Aftermath
  Scott A. Wyatt, USA
• Cloy
  Silvia A. Matheus, Brazil/USA
• Lyric Spaces
  Guy E. Garnett, USA
• Thrum
  John Gibson, USA
• Mi-dong
  Suk Jun Kim, Korea
• Vade Mecum
  John Allemeier, USA
• L’ouïe Lumière
  Roger Cochini, France