Acceptted papers (camera ready versions)

Anais: Introdução

• Prefácio, sumário, comitês de avaliação, etc  (introducao.doc)

Anais: artigos

• Timbre Morphing of synthesised transients using the Wigner Time-Frequency Distribution
  Thomas Lysaght and David Vernon
  
• Gestural Sounds by means of Wave Terrain Synthesis
  Anderson Mills and Rodolfo Coelho de Souza
  
• A Bond Graphs approach to Physical Modelling of Musical Instruments
  Peter Gawthrop, Andrew McGregor and Eduardo R. Miranda
  
• Online additive synthesis by interfacing SOM-A to Java Sound
  Aluizio Arcela and Rodolfo Bezerra Batista
  
• Towards a vocal synthesiser: problems and prospects
  Anastasia Georgaki
  
• Virtual pitch and pitch salience in contemporary composing
  Ludger Hofmann-Engl
  
• Echoic memory in primitive auditory selective attention
  Ben Weedon and Zofia Kaminska
  
• MUSAS: a program for analysis and synthesis of musical spaces
  Gilberto Carvalho e Hudson Lacerda
  
• The influence of text in computer music composition: an approach to expression modelling
  Juan Reyes and Maria Munoz
  
• A computer environment for polymodal music
  Adolfo Maia Jr., Raul do Valle, Jônatas Manzolli & Leonardo N. S. Pereira
  
• Computer-aided musical analysis of extended vocal techniques for compositional applications
  Leonardo Fuks
  
• A stochastic musical composer based on adaptive algorithms
  Bruno Abrantes Basseto and Joao Jose Neto
  
• A Robotic Rhymic System
  Algeir Sampaio, Pablo Javier Cavalcanti and Joao Homero Filho
  
• An Intelligent Hybrid Model for Chord Prediction
  Uraquitan Sidney Cunha and Geber Ramalho
  
• Developing a timbre morphing package: the process of automatic feature identification
  C. J. Hope
  
• Models of Sound Representation  in Eletroacoustic Composition
  Fabio Furlanete

• The sonic object: preliminary considerations
  Carlos Palombini
  
• RTSPA1: a program and some technical & practical remarks for real-time sound spatialization
  Oscar Pablo Di Liscia
  
• Gesture control of musical processes: A MAX environment for the Lightning
  Carlos Cerana
  
• Using DirectCsound, a realtime-oriented version of Csound
  Gabriel Maldonado
  
• An Evolutionary Approach to Algorithmic Composition
  Jônatas Manzolli, Artemis Moroni, Fernando von Zuben and ricardo Gudwin

• GeNotator: an environment for exploring the application of evolutionary techniques in computer assisted composition
  Kurt Thywissen
  
• Towards an Aritificial Life approach to the Origins of Music
  Eduardo R. Miranda
  
• Musicology facing the challenges of computer projection of its own interdisciplinarity
  Mirjana Veselinovic-Hofman
  
• The Principles of Structural Unit Separation for Deciphering the Neume Hymnals
  Irina V. Bakhmutova, Lyubov A. Nemytikova and Tatyana N. Titkova
  
• The quantitative Study of Local Variation Regularities on the Base of Russian, French and American Folk Songs
  Irina V. Bakhmutova, Vladimir D. Gusev, Lyubov A. Nemytikova and
  Tatyana N. Titkova
  

• Desenvolvimento de software para educacao musical
  Susana Kruger, Eloy Fritsch et al.