Technical Papers

  • A domain specific language for drum beat programming (A. D. Bois and R. Ribeiro)
  • A probabilistic model for recommending music based on acoustic features and listening data (R. Borges and M. Queiroz)
  • A score-informed approach for pitch visualisation of a cappella vocal quartet performances (R. Schramm, H. S. Nunes, and E. Benetos)
  • aAaA: an attribute aware abstraction architecture allowing arbitrary argument assignment in Pure Data (J. Padovani)
  • Challenges for a second decade of ubimus research: Metaphors for creative action (D. Keller)
  • Design and implementation of an open-source subtractive synthesizer on the Arduino due platform (R. Pirotti, M. Pimenta, and M. Johann)
  • Else library for pure data (A. Porres)
  • Gestures of body joints, musical pulses and laban effort actions: Towards an interactive tool for music and dance (L. Souza and S. Freire)
  • Impact of algorithmic composition on player immersion in computer games: A case study using Markov chains (R. Oliveira and T. Tavares)
  • Impact of genre in the prediction of perceived emotions in music (F. Tanios and T. Tavares)
  • Modeling a physical model with conditional adversarial autoencoders (S. Sinclair)
  • Synesthesia add-on: a tool for HTML sonification (R. Bodo and F. Schiavoni)
  • Technology enhanced learning of expressive music performance (R. Ramirez)
  • The million playlists songs dataset: a descriptive study over multiple sources of user-curated playlists (F. Falcão and D. Gondim)
  • Timbre spaces with sparse autoencoders (P. Riera, M. Zabaljauregui, and M. Eguia)
  • Vivace: a collaborative live coding language and platform (V. V. da Silva Junior, G. Lunhani, G. R. Junior, C. Luporini, D. Penalva, R. Fabbri and R. Fabbri)
  • Web audio application development with mosaicode (L. Gonçalves, F. Schiavoni, and A. Gomes)

Music Papers

  • Communicating a World View: figer, a Manifold Composition (Sever Tipei)
  • An analysis of Desdobramentos do continuo for violoncello and live electronics performed by audio descriptors (Danilo Rossetti, William Teixeira, Jônatas Manzolli)
  • The Maxwell Demon: Comprovisation in Ecologically Grounded Creative Practice (Luzilei Aliel, Damian Keller, Rogério Costa)
  • AirQ Sonification as a context for mutual contribution between Science and Music. (Julian Arango)
  • Web Orchestra Studio: a real-time interactive platform for music and education (J. Kestenberg, V. Rolla, D. Lúcio, and L. Velho)

Posters

  • A tool for the musical education of deaf people (E. Duarte and T. Tavares)
  • An algorithm for guiding expectation in free improvisational solo performances (J. Fornari)
  • An open dataset for vocal music transcription (M. Woitowitz, H. S. Nunes, and R. Schramm)
  • Complex networks of chord transitions in Alexander Scriabin’s piano pieces (J. Pérgola)
  • Developing a set of applications for music creation using low-cost brain-computer interfaces (G. Santo and M. Queiroz)
  • Embedding microcontroller and audio interface in an augmented musical instrument (E. Meneses and M. Wanderley)
  • Live coding console with remote audience into the web (G. Lunhani and F. Schiavoni)
  • Melody and accompaniment separation using enhanced binary masks (S. Moura and M. Queiroz)
  • Methods on composer identification using markov chains (A. Neto and R. Pereira)
  • Pedal board approach to sound effects customization (T. F. M. Arcanjo, F. M. R. Junior, and T. Rocha)
  • T2M/M2T: Sonifying text and textualizing sound using audio tags (B. Mesz and L. Samaruga)

Art

  • Allure, a machinic performance (Andre Martins)
  • Colour Etude I (Omar Peracha)
  • Desdobramentos do contínuo for violoncello and live electronics (Danilo Rossetti, William Teixeira)
  • figer, Computer-assisted Composition for Computer-generated Sounds (fixed media) (Sever Tipei)
  • For alto saxophone and live electronic sounds: “era como se estivéssemos vivos” (Rodolfo Valente)
  • Lignes et Pointes - étude pour la décomposition en deux parties dune oeuvre de Joan Miró (Antonio D’Amato)
  • Puzzle Pieces (Paul Schuette)
  • Rare yet soft (Kyong Mee Choi)
  • Suíte [en]Quadrada - KairosPania, Orquestra Errante & Luzilei Aliel (Migue Antar, Yonara de Oliveira, Luzilei Aliel)
  • The Maxwell Demon (Luzilei Aliel)