from 7th to 9th september, 2009

 

Promotion

NUCOM/CECM

Organization

 

 


Sponsorship

Institutional Support

 

  


 
 

Accepted Papers


Technical Papers

Title Authors
Creating Evolutionary Soundscapes with Gestural Data Jose Fornari
Mariana Shellard
Jonatas Manzolli
Derivation of SOM-G Granular Synthesis Instruments from Natural Sounds by Atomic Decomposition of Audio Signals Paulo R. G. da Silva
Descoberta Automática de Conhecimento em Interpretacões Musicais: Microandamento e Microdinâmica Fulvio F. Silvestre 
Raphael F. O. Holanda
Geber L. Ramalho
Interacting with the 3D Reactive Widgets for Musical Performance Florent Berthaut
Myriam
Desainte-Catherine
Martin Hachet
Multidimensional microtiming in Samba music Luiz Naveda
Fabien Gouyon
Carlos Guedes
Marc Leman
Music Creation by Novices should be both Prototypical and Cooperative - Lessons Learned from CODES Evandro Miletto
Marcelo Pimenta
François Bouchet
Jean-Paul Sansonnet
Damian Keller
Pitch class composition in the pd environment Oscar P. Di Liscia
Pablo Cetta
Real-Time uses of low level sound descriptors, as event detenction functions with Zsa.descriptors Max/MSP Library Mikahil Malt
Emmanuel Jourdan
Two Approaches for HRTF Interpolation Gustavo H. M. de  Sousa
Marcelo Queiroz
Wind instruments synthesis toolbox for generation of music audio signals with labeled partials Martin Rocamora
Ernesto Lopez
Luis Jure

Musical Papers

Title Authors
A Música no Cinema Mudo e o Instrumento Musical Digital Pedro Patrício
e-Motion: Our Reality - 3D Motion Capture and Sonorization Via Two Cameras Bradford Blackburn
I/VOID/O: real-time sound synthesis and video processing in an interactive installation Daniel L. Barreiro
Sandro C.  de Abreu
Andre C. P. L. F. Carvalho
O Mapa de Henon como Gerador de Repositorios Composicionais Liduino J. P. Oliveira
Hildegard P. Barbosa
Ubiquitous Music: Concepts and Metaphors Marcelo S. Pimenta
Luciano V. Flores
Ariadna Capasso
Patricia Tinajero
Damian Keller


Posters

Title Authors
Considerations in the use of Computer Technology in Contemporary Improvisation Cesar Villavicencio
Functional Harmonic Analysis and Computational Musicology in Rameau Alexandre T. Passos
Marcos Sampaio
Pedro Kroger
Givaldo Cidra
Goiaba: a software to process musical contours Marcos S. Sampaio
Pedro Kroger
Mapeamento Sinestesico: do Gesto ao Objeto Sonoro Jose Fornari
Mariana Shellard
Jonatas Manzolli
Process and methodology leading to the acquisition and analysis of Event Related Potentials with basic sound stimuli Bruno Giesteira
Joao Travassos
Diamantino Freitas
Self-Regulatory Feedback Systems as Sound Installations Paula Matthusen
Towards a Genetic L-System Counterpoint Tool Bruno F. Lourenco
Jose C. L. Ralha
Marcio C. P. Brandao
Um External de Aspereza para Puredata e MAX/MSP Alexandre T. Porres
Andre S. Pires
Um sistema de recomendacao de musicas brasileiras Maiara B. Monteiro
Natan R. Machado
Paulo A. L. Nogueira
Thales A. Campos
Fernando W. Cruz
Edilson Ferneda