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Call for papers
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call for papers
The Symposium
The Brazilian symposia on computer music have consolidated the significance of Brazil's international position in the field of Computer Music. The 11th Brazilian Symposium on Computer Music is organized by NUCOM, the computer music branch of the Brazilian Computing Society (SBC), and it will be held in São Paulo from September 1st to 3rd, 2007.
During the symposium there will be speeches by renowned
researchers, technical and music paper sessions, discussion panels, and
concerts. Researchers, scientists, composers, educators, manufacturers, and
all concerned with the interplay between music and technology are invited to
submit work. The program will include, among others, a keynote speech and a
workshop by Roger B. Dannenberg (Carnegie-Mellon University, USA).
The program committee will give a prize for the best
student papers presented at SBCM. Papers that have a student as a major author
are eligible. Two awards will be given: one for the best technical paper and
another for the best music paper.
Organization
| General Chairs: | Fabio Kon (University of São Paulo) |
| | Fernando Iazzetta (University of São Paulo) |
| Technical Papers Chair: | Geber Ramalho (Federal University of Pernambuco) |
| Music Papers Chair: | Mikhail Malt (IRCAM/Sorbonne-Paris IV) |
Important Dates
| June 15th (extended) | Full papers and posters submissions due |
| July 15th | Full papers and posters notification of acceptance |
| July 30th | Camera-ready version of papers and posters due |
Technical Topics of Interest
The topics to be covered include, but are not limited to
- Acoustics, Diffusion, Sonorization
- Artificial Intelligence
- Artificial Life and Evolutionary Music Systems
- Audio Hardware design
- Audio Digital Signal Processing
- Computer-Aided Music Analysis
- Computer-Aided Musical Education
- Computer-Aided Musicology
- Distributed Music
- Internet and Web Applications
- Multimedia Systems and Applications
- Music Data Structures and Representation
- Music Information Retrieval
- Music Notation, Printing, and Optical Recognition
- Quality of Service for Audio
- Psychoacoustics and Cognitive Modeling
- Real-time Interactive Systems
- Software Systems and Languages for Composition
- Sound Synthesis
Technical Program committee
| Adolfo Maia Jr. | Universidade Estadual de Campinas |
| Aluizio Arcela | Universidade de Brasilia |
| Andrew Horner | The Hong Kong University of Science & Technology |
| Chris Chafe | Stanford University |
| Edilson Ferneda | Universidade Católica de Brasília |
| Eduardo Miranda | University of Plymouth |
| Emilios Cambouropoulous | Aristotle University of Thessaloniki |
| Fabio Kon | Universidade de São Paulo |
| Flávio Soares Silva | Universidade de São Paulo |
| François Pachet | Sony Computer Science Laboratory |
| Gérard Assayag | IRCAM |
| Geber Ramalho | Universidade Federal de Pernambuco |
| Giordano Cabral | Université Paris 6 |
| Henkjan Honing | University of Amsterdam |
| Hugo de Paula | PUC Minas |
| Ian Whalley | University of Waikato |
| Jean-Pierre Briot | CNRS - Université Paris 6 & PUC-Rio |
| Jonatas Manzolli | Universidade Estadual de Campinas |
| Lelio Camilleri | University of Bologna |
| Luis Jure | Universidad de la República |
| Marcelo Pimenta | Universidade Federal do Rio Grande do Sul |
| Marcelo Queiroz | Universidade de São Paulo |
| Marcelo Wanderley | McGill University |
| Marcio Brandao | Universidade de Brasilia |
| Maurício Loureiro | Universidade Federal de Minas Gerais |
| Oscar Di Liscia | Universidad Nacional de Quilmes |
| Palle Dahlstedt | Göteborg University/Chalmers University of Technology |
| Peter Beyls | Hogeschool Gent |
| Petri Toiviainen | University of Jyvaskyla |
| Regis R. A. Faria | Universidade de São Paulo |
| Roger Dannenberg | Carnegie Mellon University |
| Rosa Viccari | Universidade Federal do Rio Grande do Sul |
| Sever Tipei | University of Illinois School of Music |
| Victor Lazzarini | National University of Ireland |
Music Papers Program Committee
| Mikhail Malt (chair) | IRCAM/Sorbonne-Paris IV |
| Alexandre Lunsqui | Columbia University, NY -USA |
| Damian Keller | Federal University of Acre |
| Daniel Teruggi | Ina-GRM, Paris- France |
| Fernando Iazzetta | Sao Paulo University, Brazil |
| Jonathas Manzoli | University of Campinas, Brazil |
| Karim Haddad | Ircam, paris-France |
| Luiz Naom | Paris Conservatory/Geneva Music School |
| Marc Battier | Sorbonne-Paris IV, France |
| Martin Supper | Berlin University of the Arts, Germany |
Papers Submission
Papers must be submitted in PDF format via the JEMS online system (https://submissoes.sbc.org.br/home.cgi?c=450).
Technical papers, up to 12 pages long, are supposed to present
original research with scientific contributions. Music papers, up to
12 pages long, describe the experience of composers and users of
computational tools to produce music. Extended abstracts of posters,
up to 4 pages long, should present on-going research. Please carefully
comply with instructions in publications templates. Papers which do
not fulfill the requirements can not be published. Download files for
manuscript preparation in accordance with the SBC guidelines from
http://gsd.ime.usp.br/sbcm/2007/templates
In order to get the paper published, it is required that at least one
author register for the symposium by August 1st.
More Information
For further information, please visit the symposium home
page at http://gsd.ime.usp.br/sbcm/2007. For
questions regarding the technical papers, contact Geber
Ramalho (glr at cin.ufpe.br), for music papers, contact
Mikhail Malt (Mikhail.Malt at ircam.fr). For other
inquiries contact the symposium general chairs Fernando
Iazzetta (iazzetta at usp.br) or Fabio Kon (kon at
ime.usp.br).
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