IV Simpósio Brasileiro de Computação e Música (IV SBCM)

IV Brazilian Symposium on Computer Music

Held in Brasília, DF, from August 3 to 7, 1997

Symposium on the Web:

• http://primordial.cic.unb.br/sbc97/html/sbcm.html - Cached
• http://primordial.cic.unb.br/lcmm/historia/sbcm/sbcm.html - Cached
• http://www.cic.unb.br/sbc97/sbc97.html

Chair:

• Aluizio Arcela
  University of Brasília, Brazil

Papers Committee:

• Andrew Bentley, Finland
• Barry Truax, Canada
• Carlos Cerana, Argentina
• Eduardo Reck Miranda, Brazil
• Fernando Lopez-Lezcano, Argentina
• Fúrio Damiani, Brazil
• Geber Ramalho, Brazil
• Jamary Oliveira, Brazil
• Paul Berg, Netherlands
• Jônatas Manzolli (chair), State University of Campinas, Brazil

Compositions Committee:

• Eduardo Reck Miranda, Brazil/Scotland
• Leo Kupper, Argentina
• Maurício Loureiro, Brazil
• Rodolfo Caesar, Brazil
• Conrado Silva (chair), University of Brasília

Tutorials Committee:

• Anselmo Guerra de Almeida, Brazil
• Kirk Corey, USA
• Pablo Di Liscia, Argentina
• Xavier Serra, Spain
• Robert Willey (chair), University of California, San Diego, USA

Invited Talks:

• The Beginnings of Computer Music: 1957 to the Early 1970's
  Max Mathews
  CCRMA, Stanford University, USA
  
• The Radio-Baton and Conductor Program with Emphasis on Compositional Algorithms for Live Performance
  Max Mathews
  CCRMA, Stanford University, USA
  
• Netsound, Extended CSound, and Structured Audio Processing
  Barry Vercoe
  MIT Media Lab, Massachusetts Institute of Technology, USA
  

Tutorials:

• Composição Algorítmica (De Processos Elementares a Construção de Timbres)
  
  Jônatas Manzolli
  Núcleo Interdisciplinar de Comunicação Sonora, Unicamp
  
• Sound-Diffusion and the Experiences of Space
  
  Rodolfo Caesar
  LaMuT, Escola de Música, UFRJ
  

Results (selected papers):

Research Papers:

• A Celular Automata Based Music Algorithm
  Kenny McAlpine, Eduardo R. Miranda, and Stuart G. Hoggar
  Dept. of Mathematics and Dept. of Music, University of Glasgow, Scotland
  
• AI and Music: Computer and Brain
  Mladen Milicevic
  University of South Caroline, USA
  
• Using Computer Programs as Generators of Compositions
  Aditya P. Mathur
  
• Using Spectral Modeling as an Intuitive Approach for Composition among Colombian Composers
  Juan Reyes and Mauricio Rincon
  Universidad de Los Andes, Colombia
  
• Pattern Reuse in Tonal Music Improvisation and Accompaniment Systems
  Geber Lisboa Ramalho
  Departamento de Informática, UFPE, Brazil
  
• Who Composed "Entre l'Absurde et le Mystere"?
  Eduardo Reck Miranda
  Dept. of Music University of Glasgow, Scotland and Dept. of Music, UFSM, Brazil
  
• Audio Workshop, a Program for Audio Synthesis and Processing
  Victor Lazzarini
  Depto de Arte, Univ Estadual de Londrina, Brazil
  
• WAV2MID - Conversor de Melodias do Formato WAVE para o Formato MIDI
  Márcio da Costa Pereira Brandão, Ricardo Staciarinni Puttini, Luis Antônio Brasil Kowada, and Carlos Antônio Jorge Loureiro
  Depto. de Ciência da Computação, Universidade de Brasília, Brazil
  
• Restauração de Gravações Analógicas via Controle MIDI
  Marcelo Moreira
  Núcleo Interdisciplinar de Comunicação Sonora, UNICAMP, Brazil
  
• Time-Frequency Distribution for Timbre Morphing; The Wigner Distribution Versus the STFT
  Ciaran Hope and D.J. Furlong
  Dept. of Electronic and Electrical Eng., Trinity College Dublin, Ireland
  
• Síntese Aditiva e Waveshaping pelo Método Polinomial
  Edwin Loboschi, C.J.B. Pagan, Yaro Burian Jr., and Paulo S. dos Santos
  Faculdade de Eng. Elétrica e de Computação, Unicamp, Brazil
  
• Utilização de Estruturas de Dados Espaciais para Representação de Recursos Composicionais em Música
  Ana Miccolis
  Engenharia de Sist. e Computação-COPPE, UFRJ, Brazil
  
• Representação e Recuperação Baseada em Conteúdo de Partituras Musicais em Bases de Dados Orientadas a Objetos
  Marisa Beck Figueiredo, Caetano T. Júnior, and Agma J. Machado Traina
  Depto de Ciências de Computação e Estat¡stica, USP Sao Carlos, Brazil
  
• Projeto e Implementação de um Sistema Probabilístico Voltado a Criação Musical
  Gilberto Carvalho and Vladimir Agostini Cerqueira
  Escola de Música, UFMG, Brazil
  
• Object-Oriented Music Analysis
  Didier Guigue
  Departamento de Música, UFPB, Brazil
  
• Music, New Technologies and Latin America
  Ricardo dal Farra
  Estudio de Música Eletroacústica, Buenos Aires, Argentina
  
• The Electroacoustic Production of the L.M.E. of the National University of Cordoba
  Martin Alejandro Fumarola
  Laboratory of Electroacoustic Music, National University of Córdoba, Argentina
  
• necSO -- Interface para um Sistema de Síntese e Processamento de Som (CSound)
  Maurício A. Loureiro, Hélder Soares de Souza, Guilherme A. S. de Castro, Hugo Bastos de Paula, Leandro de Faria Freitas, Marlon P. de Rezende, and Willy Garabini Cornelissen
  CPCM, Escola de Música, UFMG, Brazil
  
• Novas Interfaces e a Música Eletroacústica
  Rodolfo Caesar
  LaMuT, Escola de Música, UFRJ, Brazil
  
• Three-Threaded Invention
  Aluizio Arcela
  Depto. Ciência da Computação, UnB, Brazil
  

Tape Solo Concerts

• ALL BLUE, I WRITE WITH A BLUE PENCIL ON A BLUE SKY (1996)
  
  Celso Aguiar
  USA-Brazil
• UNÁCRÈS (1996)
  
  Ralf Ollertz
  Germany
• CHIMEPLAY (1994)
  
  Mara Helmuth
  USA
• CHOI-HUNG (1996)
  
  Juan Reyes
  Colombia
• AM STEG (SPACES) (1992-96)
  
  Javier Garavaglia
  Argentina
• UM CAMINHO NO MEIO DA NOITE (1996)
  
  Paulo Vivacqua
  Brazil
• PerCurso (1997)
  
  Fernando Iazzetta
  Brazil
• DEL CUADRO A LA POSTERGACIÓN (1994)
  
  Patricia Martinez
  Argentina
• CONCRETA (1997)
  
  Aquiles Pantaleao
  Brazil
• RAMPARTS (1996)
  
  Dennis Miller
  USA
• THETA TICKER (1996)
  
  James Brody
  USA
• RECITATIVO ELETTRONICO II (1995)
  
  Catalina Peralta
  Colombia
• INTO DARKNESS (1996)
  
  Thomas Wells
  USA
• TV SCHERZO (1996)
  
  Hwang Sung Ho
  Korea
• LA BEAUTÉ INDISCRÈTE D'UNE NOTE VIOLETTE (1995)
  
  Jorge Antunes
  Brazil
• ATARI ÉTUDE (1986)
  
  Mladen Milicevic
  Bosnia-Herzegovina
• DIAPHANE (1995)
  
  Gerald Eckert
  Germany
• TIERRA Y SOL (1996)
  
  Ricardo Dal Farra
  Argentina
• ONSET/OFFSET (1996)
  
  Pete Stollery
  Scotland

Man-Machine Concerts

• THE PERSISTANCE OF MEMORY (1997)
  
  Ciaran Hope
  Ireland
• VELOCITY STUDIES IV: FLUTTER (1994)
  
  Allen Strange
  USA
• CAXAMBULISMO (1996)
  
  Bob Willey
  USA
• KLANG/CLAN (1996)
  
  Jorge Sad
  Argentina
• EL PODER DE LO INVISIBLE (1996)
  
  Carlos Cerana
  Argentina

Demonstration Concerts

• NÉVOAS E CRISTAIS (1995)
  
  Jônatas Manzolli
  Brazil
• VOX VICTÆ
  
  Didier Guigue
  France-Brazil
• EL PODER DE LO INVISIBLE
  
  Carlos Cerana
  Argentina

On-Line Concerts

• LEXIKON-SONATE (1992-1997)
  
  Karlheinz Essl
  Austria
• THREE-THREADED INVENTION (1997)
  
  Aluizio Arcela
  Brazil